Giving a presentation: checklist
The slides are the last thing to build, not the first. Structure and rehearsal do most of the work; the deck just has to stay out of the way of it.
20 items
Makes your own editable copy. No account needed.
The items
- One sentence for what you want the audience to do differently afterIf a talk doesn't change a decision or an action, it's information that could have been an email.
- The audience's actual level checked, not assumedA room of experts and a room of newcomers need a completely different first three slides.
- The structure decided before a single slide is designedAn argument built in slides instead of words tends to wander, and it shows.
- Each slide reduced to one ideaA slide with three ideas on it gets read instead of listened to, and the audience is now reading instead of hearing you.
- Text kept to what can be read in five secondsAnything longer competes with your voice instead of supporting it.
- Numbers rounded and the source statedA number nobody can trust undoes everything said around it.
- A rehearsal out loud, not just read silently in your headReading in your head always feels shorter and smoother than it is out loud.
- Timed once, properly, with a clock running
- The likely questions anticipated, with an answer ready for each
- The obvious objection
- The question about budget or resourcing
- The file tested on the actual machine and screen it'll be shown onFonts, colours and video move or disappear entirely between machines. Check it on the one you'll actually use.
- A backup of the file kept in two placesA memory stick, an email to yourself, and the cloud — pick at least two, because the room's wifi is not one of them.
- Adapters and cables checked for the actual roomThe one adapter you didn't bring is always the one the room needs.
- Arrival early enough to test the room, not just find itScreen, sound, slide advance and lighting — checked with time to fix something, not just to discover it broken.
- Water within reachA dry mouth thirty seconds in is entirely avoidable and completely derailing.
- A plan for the ten minutes before, rather than scrolling or rereading notes for the first timeThat window either steadies you or unsettles you further. It rarely does nothing.
- An opening line rehearsed word for wordThe first sentence is the one nerves are most likely to mangle. Knowing it cold gets you into the rest.
- A closing line that actually signals the end"So, yeah, that's it" undoes a good talk in its last five seconds. Plan the last line as deliberately as the first.
- Feedback asked for from one honest person afterwardsNot "how did it go" — ask what specifically to change next time.
Makes your own editable copy. No account needed.
Questions people ask
- How much should I rehearse?
- Enough times, out loud, to know the opening and closing lines without thinking. Beyond that, more rehearsal often makes a talk stiffer, not better.
- What's the biggest cause of presentations running over?
- Not timing it beforehand. A talk that's never been run against a clock is a talk that's guessing at its own length.